Autumn is the time for dying
Of grasping winds that drag
The leaves from weary trees
To wreath the still warm earth
So ripe for digging
It is the time of dismal days
and flaming fires
A season of silver skies
of mourning mists
And memories of summer
Autumn is the time for dying
Of grasping winds that drag
The leaves from weary trees
To wreath the still warm earth
So ripe for digging
It is the time of dismal days
and flaming fires
A season of silver skies
of mourning mists
And memories of summer
In the Cathedral of the wild
It was fine to be naked
To have leaves dapple
Our brazen skin
As we lay together in bliss
observing the shifts of the blue
Bird ridden vault
In the temple of the city
We hide ourselves
Shrouded in shame
We covet worthless trinkets
And lie
restless under soft white sheets
watching reels of horror on bright screens
Still the church of change
marches on
with crosses made from fallen trees
held aloft in hot winds
that carry the ashes of prayers
for earth’s failing heart
didn’t I once take a ripe plum in my mouth
and allow the juice to dribble
from my lips
wiped it with the back of my hand
felt the map of veins
through my skin
knowing I was pulsing with life
both solid and fluid
and didn’t I once know that it would not last
that state of being
and that I shouldn’t waste the juice.
When she came
we painted her eyes
with shadows.
We pinched her cheeks
until they ripened,
and slicked on a clown smile
with a bright honeyed stick.
We wove black ribbons
through her grey red hair,
and sharpened her nails
with the roughest emery.
We draped feathers around that
withering neck
and told her she looked like a film star
from the forties.
She endured our ministrations
with tight lipped patience.
Too gracious to grumble,
too refined to complain.
Afterwards she’d nibble biscuits
and sip sweet tea
through the cockles of her
clown mouth.
Then, wiping crumbs away, would say
‘Now children, go and play.’
How do you weigh a house?
The bricks and mortar, tiles and chimneys?
No doubt those guards are weighty.
Surely include the landscaped garden,
its drooping flowers,
and heavy seed heads?
The shrubs, the herbs in pots?
The ponds?
The lolly stick crosses of long missed pets?
The contents are substantial.
Soft sofas and chairs
Imprinted with cosy evenings,
tables laden with feasts,
wardrobes full of outdated fashion,
beds crumpled with comfortable passion.
Oh, and the books. The shelves,
and shelves, of books.
How do you weigh a house,
where thoughts expanded,
where children left their giggles in corners,
where the halls still echo with the stamps
and slamming doors of angry love?
Where images of daily living in the living room
never fade?
A house where you can still find pine needles
In the carpets of Christmas pasts,
and there are still stars on the ceiling,
stuck there on a little girl’s whim.
Where hugs and waves and tears
tarnished the front door
after you said ‘I’ll be back soon’.
How do you weigh a house
that is at once so empty
and yet
so full?
So you’ve passed.
You swotted, sweated and swore,
read, written, revised,
composed, edited,
edited again,
met deadlines
dreaded marks.
Disagreed, cried.
You almost gave up
but gritted your teeth
girded your loins,
got on with it.
And you passed!
You Passed!
But what now?
What now?
She stood at the door
and said
‘I’m not living, I’m just waiting to die’
She watched as the rain fell
Onto bare ground
And flowers grew abundant
And the sun made them glisten
The longer days came and went
The flowers died
The trees cried leaves
While still she stayed and watched
Then the snow came
And cleansed the earth
Spring returned triumphant
And the flowers grew again
And then she understood.
Poetry, story and real life. Once soldier, busnessman, grandfather and Poet.
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